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Zora Neale Hurston, a prominent figure in the Harlem Renaissance, was an influential African-American writer and anthropologist. Born in 1891 in Notasulga, Alabama, Hurston would go on to become one of the most significant voices of her time, not only for her captivating and authentic storytelling, but also for her groundbreaking work in documenting African-American folklore and culture. Hurston’s works, such as “Their Eyes Were Watching God” and “Mules and Men,” continue to resonate with readers today, shedding light on the complexities of race, gender, and identity in America. This introduction explores the life, works, and impact of Zora Neale Hurston, a trailblazer in American literature and an advocate for African-American cultural preservation.
(1891-1960)
Who Was Zora Neale Hurston?
Zora Neale Hurston became a fixture of New York City’s Harlem Renaissance, due to her novels like Their Eyes Were Watching God and shorter works like “Sweat.” She was also an outstanding folklorist and anthropologist who recorded cultural history, as illustrated by her Mules and Men. Hurston died in poverty in 1960, before a revival of interest led to posthumous recognition of her accomplishments.
Early Life
Hurston was born on January 7, 1891, in Notasulga, Alabama. Her birthplace has been the subject of some debate since Hurston herself wrote in her autobiography that she was born in Eatonville, Florida. However, according to many other sources, she took some creative license with that fact. She probably had no memories of Notasulga, having moved to Florida as a toddler. Hurston was also known to adjust her birth year from time to time as well. Her birthday, according to Zora Neale Hurston: A Life in Letters (1996), may not be January 7, but January 15.
Hurston was the daughter of two formerly enslaved people. Her father, John Hurston, was a pastor, and he moved the family to Florida when Hurston was very young. Following the death of her mother, Lucy Ann (Potts) Hurston, in 1904, and her father’s subsequent remarriage, Hurston lived with an assortment of family members for the next few years.
To support herself and finance her efforts to get an education, Hurston worked a variety of jobs, including as a maid for an actress in a touring Gilbert and Sullivan group. In 1920, Hurston earned an associate degree from Howard University, having published one of her earliest works in the university’s newspaper.
Harlem Renaissance
Hurston moved to New York City’s Harlem neighborhood in the 1920s. She became a fixture in the area’s thriving art scene, with her apartment reportedly becoming a popular spot for social gatherings. Hurston befriended the likes of Langston Hughesand Countee Cullen, among several others, with whom she launched a short-lived literary magazine, Fire!!
Along with her literary interests, Hurston landed a scholarship to Barnard College, where she pursued the subject of anthropology and studied with Franz Boas.
‘Sweat,’ and ‘How It Feels to be Colored Me’
Hurston established herself as a literary force with her spot-on accounts of the African American experience. One of her early acclaimed short stories, “Sweat” (1926), told of a woman dealing with an unfaithful husband who takes her money, before receiving his comeuppance.
Hurston also drew attention for her autobiographical essay “How It Feels to be Colored Me” (1928), in which she recounted her childhood and the jolt of moving to an all-white area. Additionally, Hurston contributed articles to magazines, including the Journal of American Folklore.
‘Jonah’s Gourd Vine’ and Other Books
Hurston published her first novel, Jonah’s Gourd Vine, in 1934. Like her other famed works, this one told the tale of the African American experience, only through a man, flawed pastor John Buddy Pearson.
Having returned to Florida to collect African American folk tales in the late 1920s, Hurston went on to publish a collection of these stories, titled Mules and Men (1935).
‘Their Eyes Were Watching God’
Upon receiving a Guggenheim fellowship, Hurston traveled to Haiti and wrote what would become her most famous work: Their Eyes Were Watching God (1937). The novel tells the story of Janie Mae Crawford, who learns the value of self-reliance through multiple marriages and tragedy.
Although highly acclaimed today, the book drew its share of criticism at the time, particularly from leading men in African American literary circles. Author Richard Wright, for one, decried Hurston’s style as a “minstrel technique” designed to appeal to white audiences.
In 1942, she published her autobiography, Dust Tracks on a Road, a personal work that was well-received by critics.
Plays
In the 1930s, Hurston explored the fine arts through a number of different projects. She worked with Hughes on a play called Mule-Bone: A Comedy of Negro Life—disputes over the work would eventually lead to a falling out between the two—and wrote several other plays, including The Great Day and From Sun to Sun.
Controversies
Hurston was charged with molesting a 10-year-old boy in 1948; despite strong evidence that the accusation was false, her reputation suffered greatly in the aftermath.
Additionally, Hurston experienced some backlash for her criticism of the 1954 U.S. Supreme Court decision in Brown v. Board of Education, which called for the end of school segregation.
Death
For all her accomplishments, Hurston struggled financially and personally during her final decade. She kept writing, but she had difficulty getting her work published.
A few years later, Hurston had suffered several strokes and was living in the St. Lucie County Welfare Home. The once-famous writer and folklorist died poor and alone on January 28, 1960, and was buried in an unmarked grave in Fort Pierce, Florida.
Legacy
More than a decade after her death, another great talent helped to revive interest in Hurston and her work: Alice Walker wrote about Hurston in the essay “In Search of Zora Neale Hurston,” published in Ms. magazine in 1975. Walker’s essay helped introduce Hurston to a new generation of readers and encouraged publishers to print new editions of Hurston’s long-out-of-print novels and other writings. In addition to Walker, Hurston heavily influenced Gayl Jones and Ralph Ellison, among other writers.
Robert Hemenway’s acclaimed biography, Zora Neale Hurston (1977), continued the renewal of interest in the forgotten literary great. Today, her legacy endures through such efforts as the annual Zora! Festival in her old hometown of Eatonville.
Hurston’s posthumous book, Barracoon: The Story of the Last “Black Cargo,” was published in 2018. The book is based on her interviews from the 1920s with Oluale Kossola, who’s enslaved name was Cudjo Lewis, the last living survivor of the Middle Passage. Prior to being published, the manuscript was in the Howard University library archives.
QUICK FACTS
- Name: Zora Neale Hurston
- Birth Year: 1891
- Birth date: January 7, 1891
- Birth State: Alabama
- Birth City: Notasulga
- Birth Country: United States
- Gender: Female
- Best Known For: Writer and anthropologist Zora Neale Hurston was a fixture of the Harlem Renaissance and author of the masterwork ‘Their Eyes Were Watching God.’
- Industries
- Fiction and Poetry
- Astrological Sign: Capricorn
- Death Year: 1960
- Death date: January 28, 1960
- Death State: Florida
- Death City: Fort Pierce
- Death Country: United States
Fact Check
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CITATION INFORMATION
- Article Title: Zora Neale Hurston Biography
- Author: Biography.com Editors
- Website Name: The Biography.com website
- Url: https://www.biography.com/authors-writers/zora-neale-hurston
- Access Date:
- Publisher: A&E; Television Networks
- Last Updated: April 23, 2021
- Original Published Date: April 2, 2014
QUOTES
- There are years that ask questions and years that answer.
- Love makes your soul crawl out from its hiding place.
- I do not weep at the world I am too busy sharpening my oyster knife.
In conclusion, Zora Neale Hurston was a groundbreaking and influential author, anthropologist, and filmmaker who made significant contributions to the field of African American literature and culture. Her work challenged societal norms and shed light on the lives and experiences of African Americans during the Harlem Renaissance and beyond. Through her powerful storytelling and unique narrative voice, Hurston captured the essence of her community and conveyed the importance of embracing one’s cultural heritage. Despite facing obstacles and criticism, she persevered and continued to produce works that resonate with readers to this day. Hurston’s legacy lives on as her writings continue to inspire and educate readers about the struggles and triumphs of African Americans in a predominantly white society. Her ability to celebrate black culture while also critiquing its limitations and stereotypes makes her an essential figure in the literary canon. Zora Neale Hurston will forever be remembered as a literary pioneer who fearlessly explored the complexities of race, identity, and social justice through her masterful storytelling.
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