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With recent advances in computer and video technology, creating an amateur music video has never been easier. Just like any other artistic endeavor, the process of recording a music video can be fruitful, frustrating, exciting, challenging, exhausting or moving – sometimes all of it. these at the same time. A music video is only limited by your imagination and budget. In this article, we’ll explore the basic steps in the technical and creative process of making music videos, from humble one-scene videos captured with a webcam to amazing productions. than.
Steps
Develop the idea
- If you’re a member of a band whose songs are featured in the video, you’re in for a special advantage and challenge. You have direct and private access to the band’s creative process. On the other hand, making music videos creates more stress. Your personal and creative relationships may suffer – be mindful of this.
- For the best results in your listening experience, check out our guide to listening to music like a pro.
- Music video ideas can be hassle-free but still work. For example, with a country song about meeting people on the street, an idea like “follow the man driving along the freeway, meet people at the little grocer in town or the gas stations along the way in lyric situations” can be great if implemented well.
- Adding small and specific details can make your music video more memorable, even a role model. The following notes are much bolder in style than the vague descriptions above: “The protagonist drives a 1957 Chevy convertible on a straight westbound highway; The farmer at the roadside grocery store in verse 1, the soldier riding in a Hummer at the gas station in verse 2, a beautiful girl in verse 3 (some star recording?) jumped into the car and went with him. our hero when the song comes to an end. Side story: a guy in an angry suit embarrass himself in every scene: splashes mustard on his shirt in verse 1, collides with a Hummer while driving a Porsche, or puts gas on expensive shoes in word 2; clumsy flirting with the pretty girl in verse 3.
- Weird, abstract ideas can make for great videos. The footage doesn’t have to be an exact reflection of the lyrics – the difference between the visual content and the lyrics can create a striking contrast. Some videos even seem bizarre or cheesy. [3] X Research Source Don’t be afraid to confuse or shock your viewers if you think it’s the best choice for your video. This is a very good way to confront the “big guys” in the industry.
- Talk to the owner or manager of whatever site you want to use. Make sure they agree to you filming there. If you’re lucky, they might also be a good fit to play the character in your video (if they want to).
- It’s also a good idea to let neighbors know about filming in advance. Otherwise, these people will find it difficult to understand, even annoyed when you are filming. Find out about your local noise regulations so you can be prepared if your neighbors complain to the police.
- Music videos often apply special visual movement [4] X Source of research or cinematography [5] X Source of research to create a unique experience. If you plan to incorporate either of these elements into your video, be sure to include them in your visual storyboard as well.
- Visual storyboards don’t have to be flashy. They can be as simple as the positions of actors and props in each scene, or detailed down to individual transitions, expressions, direction of movement, etc. Don’t worry if you can’t draw: write one down storyboard. As long as you have an idea of what each shot is about and are able to communicate that to the crew, you’ll be fine.
- Try to break down the video into “scenes” that fit your intentions. You can minimize filming time by shooting all the scenes in one location at the same time (even if the shots are out of order, they’ll be in place when the video is finished). Plan your filming so you can move as efficiently as possible.
Arrange Personnel for the Shooting
- Director. Most likely you will be the director. You’ll run all the different aspects of the shoot, from communicating your intentions with the cast and crew, to resolving conflicts between sound and lighting, to making sure the car has enough gas. and all filming locations are well ventilated for recording. You are the boss, and at the same time will be more responsible than everyone else.
- Film. This person will record video happenings with one or more cameras. You’ll shape the shot, but the cameraman will do the shooting, work with the lighting to ensure the set’s brightness, and notify the sound officer when an explosion occurs in the shot. .
- In charge of lighting. It took someone to make sure all the lights were on, the actors were visible, and everything was fine for filming. That person is in charge of the lighting.
- In charge of sound. At the set, this is the person who will attach microphones to actors and set up microphones at the necessary locations. For a video that usually doesn’t have dialogue, the sound guy will turn on the song for the actors to perform appropriately. Between pressing the “Stop” and “On” and “Rewind” buttons, he would run off to get coke, pizza, and other knick-knacks.
- Backstage. This is the lucky character whose job is to move all wires, light bulbs, equipment, furniture, props, and all other things brought to the set. Filming would be a lot easier if you had someone handle these while working on the overview.
- Skin. Depending on your budget, you may be able to simply give instructions to the actors (“wear jeans and a tight shirt”) or order the actors’ individual costumes. Either way, if you need to change clothes during filming, make sure someone arranges this, and that the actors need some privacy when changing.
- Tools. Again, you’ll probably have to take care of this yourself, but someone needs to find the transportation, along with other things the actors use on set – the mustard pot can be fired at just the right time. needed, anything the actor picked up or put down, or items that weren’t available at the filming location.
- In charge of continuing the scene. Unless you’re going to be shooting a scene from start to finish, you need someone to make sure everyone starts where they left off in the previous scene. That is the job of the person in charge of continuing the scene. They record the positions, usually with the help of a camera. They made sure that the mustard stain on the suit in the first scene remained in place for the next three days for the final shot. (Or, conversely, the mustard stain *isn’t* there if the scenes with the mustard stain were filmed first.)
- Traveler. He doesn’t have to say anything, but he needs to be dashing, confident, and fit to drive an old-fashioned convertible along country roads. Jeans. Sunglasses. Shirt?
- Farmer. Aged, tanned skin. Old hat, jeans and shirt without a shirt, friendly smile. The screen time is short, so there is no need for professional actors.
- Soldiers. Young, tall, muscular, close-cut hair, stronger and more confident than tourists but also more humble.
- Gas station attendant. Lank? Fat? Oily, friendly mechanic with a startling look, good at rolling his eyes.
- People wearing suits. Urban people, relative appearance but not exactly handsome. The glued hair is losing its curls in the hot sun. Expensive clothes and cars. Clumsy behavior and body, seeming ironic to others. Hateful at first sight.
- Girl. A strong, independent woman. Confident with her body, so this girl is very beautiful. Brown hair. Confident, carefree, tanned, funny and with a big smile on her face. Not annoyed by the Man in the Suit, just funny about him. Accidentally joking with Tourists.
Light, Camera, Acting!
- Put the vehicles and everything in the scene into place, and let the actors stand in their place.
- Light staging. Since this is an outdoor shot, if you don’t have a high-powered light bulb, you can use a reflector , a white sheet of material, or a poster used to reflect sunlight, blurring shadows and brightening the scene. The most effective way to focus light is to use more than one reflector, or even a mirror. Your lighting manager will take care of this under your guidance, if you have one.
- Remember, the main character is always the most illuminated person on the screen. When shooting outdoors, always have the main character’s back to the sun unless the sun is directly overhead. Thus, the reflector can illuminate the face and front of the actor. While it takes a lot of work to ensure adequate lighting, the effort is well worth it if you want a high-quality video.
- Filmmaking is a complex and meticulous process that cannot be described in a single article. Check out Wikihow’s complete collection of filmmaking tutorials for a more detailed look at the filmmaking process.
Late Period
- Use raw music over the video to match the footage to the song, but don’t worry about noises appearing in the track. Raw music will not be used for the final product.
- If using footage of the band performing, be prepared to hide errors. For example, if the guitarist moves his hand to “Stairway to Heaven” during a piece of music where he only needs to hold a note, cut to another member, or switch back to a different scene for the above passage.
- Save when editing. Tons of short and patchy shots can be disorienting, while shots that are too long can become fake. Bad shots are relatively easy to spot – don’t rush and make the most of your judgment.
Learn from the Classics
- One of the most popular videos of all time, Michael Jackson’s “Thriller” directed by John Landis tells a classic story. [6] X Research Source This video is also longer than the song length. This worked, but be wary – too little music and too long a video can be a boring combination.
- Radiohead’s video “Just” directed by Jamie Thraves also tells an interesting story with a different tone from “Thriller”. [7] X Research Sources This video cleverly adds squares and an open ending to criticize the futility of office life – very fitting for Thom Yorke’s scornful lyrics.
- A-ha’s hit song “Take on Me,” directed by Steve Barron, depicts a romance that unfolds with a combination of real people and animation in a video layered sketch style. [8] X Research Sources This stylish selection is perfect for whimsical, fast-paced melodies and unforgettable visuals.
- The White Stripes’ “Seven Nation Army” video (directed by duos Alex and Martin) uses visual effects to give the illusion that it’s a four-minute close-up shot. [9] X Research Source Combined with impressive lighting, this has a strong distracting effect on viewers, creating a dark atmosphere for the video.
- See also: “Stockhpm Syndrome” by Muse and [10] X The “Money for Nothing” Research Source by Dire Straits. [11] X Research Source
- Video “California Love” by 2Pac and Dr. Dre directed by Hype William is a video parody of the Mad Max series. [12] X Research Sources This video serves two purposes – in addition to being simply amusing, it also implies that in the early 1990s, California was a land without laws, people had to fight for their lives. his life and only the fittest survive, similar to the post-apocalyptic setting depicted in the Mad Max series.
- An even funnier parody video is the one for Beastie Boys’ “Sabotage,” directed by Spike Jonze. [13] X Research Source By having the Beastie Boys transform into caricatures of tough ’70s television cops, Jonze creates a funny and unforgettable video that also matches Perfect with the music part.
- Jay Z’s “Big Pimpin” video, directed by Hype William, is a classic example of a music video simply performing. [14] X Source of Research There is little to no narrative or narrative elements – mostly in the video there are only images of Jay Z and his friends partying on a giant yacht, hanging out at a tropical villa and threw money into the crowd, surrounded by pretty girls. An effective display of wealth and boasting.
- Lady Gaga is an artist known for her amazing music videos. The video “Alejandro” directed by Steven Klein depicts a bizarre, erotic and militaristic anti-utopian world, complete with crazy (but very appropriate) setting and costumes. [15] X Research Source It’s an overwhelming and extraordinary product.
- The XX video for The XX, directed by Saam, makes good use of repeated shots of a short dance with tight choreography. [16] X Research Source By subtly altering the dancer’s dance each time the scene repeats, this video shows us the hidden implications of tragic love. The slowness of change makes the final shot more unexpected than ever.
- OK GO’s first videos with creative dancing immediately created an unforgettable experience in viewers with only a modest budget. Their “Here it goes again” video (directed by Trish Sie and OK GO) is a great example of quality videos shot at almost zero cost. [17] X Research Source This video is completed with a still shot in an unadorned room with only 8 treadmills props. Thanks to the power of choreography and memorable ideas, this video became a hit and went viral when it was released in 2006.
Advice
- Make sure the camera is not pointing at the sun or at another camera – the sun can severely damage the internal hardware that captures the image.
- A very good strategy for creating a video is to make 3 completely different versions and combine the clips from these 3 videos to make a “composite” video.
- For YouTube videos, you must take credit in the Additional Insights section, or your video will be muted or removed due to copyright infringement!
- Always put a copyright note in the credits to protect your intellectual property rights! See How to Protect Your Intellectual Property for more details.
- Once you’ve finished your music video, share it! Upload the video to a video sharing site (read: How to Upload Videos to YouTube) and share the link with friends and family.
- If you are really confident about the quality of your product, share the video with radio stations and music channels on TV. They will probably share it on the website or add to their broadcast.
- Mute your video when inserting music so no noise interferes.
- If you can’t have all the supplies you need to shoot a music video, ask a crew member or friend to see if they have the supplies you need.
- Poll and comment from others for better products.
Things you need
- A good tune
- Performer
- Camera and operator
- Still camera (phone can be used)
- Lighting design and lighting
- Sound Engineer and Recording
- Computer
- Editing software such as Windows Movie Maker (for computers), iMovie or Final Cut Pro (for Apple’s Mac series), or Sony Vegas for both operating systems
- Dancer
- Artist
- Background
wikiHow is a “wiki” site, which means that many of the articles here are written by multiple authors. To create this article, 106 people, some of whom are anonymous, have edited and improved the article over time.
There are 17 references cited in this article that you can view at the bottom of the page.
This article has been viewed 6,705 times.
With recent advances in computer and video technology, creating an amateur music video has never been easier. Just like any other artistic endeavor, the process of recording a music video can be fruitful, frustrating, exciting, challenging, exhausting or moving – sometimes all of it. these at the same time. A music video is only limited by your imagination and budget. In this article, we’ll explore the basic steps in the technical and creative process of making music videos, from humble one-scene videos captured with a webcam to amazing productions. than.
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