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Scratching is one of the ultimate “weapons” in the performing arts of sound using turntables, turntables, and turntablism. While DJs only know how to play music, turntable artists are the creators of art. Through learning how to find the necessary tools to create DJ music, you will have the opportunity to explore the vast world of rhythm creation. Learning the techniques and aesthetics of the genre will help you perform at your peak!
Steps
Find The Right Devices
- If you don’t have a phonograph, you can be a little nervous buying your first one, and not to mention that if you really want to be a turntable artist, you’ll need two. Basically, you can still use a phonograph to scrub discs, but doing so won’t make music. However, as long as you own a model with a direct-rotating motor, you can “scrub the disc”. Don’t spend too much money.
- If you have cheaper phonographs, you’ll need to cut pieces of plastic, wax, or parchment to insert. The plastic bags at the supermarket also work very well.
- You can buy a product called “magic carpet” to help reduce friction. If you want to use your own pads or have trouble stopping the disc, you can buy a product called “butter mats” and use them as permanent pads. They are the smoothest disc pads on the market. You may still need to reduce friction, but that will depend on your music taste and equipment.
- Most scrubbing discs have a sequence of samples, alternate accompaniments, and sound effects. Don’t buy any recordings you find online, it’s best to listen to them to make sure they’re somehow useful for your practice and performance.
- For DJs, must-haves are discs designed to repeat sample pieces, working on the principle that when the needle bounces (and it does), you’ll still get the sound you want to use. If you don’t have familiar discs, try to get to know the disc a little bit by finding patterns you like and then turning the disc over and over again to understand the needles and grooves on the disc.
- You can use unaccompanied discs or discs that you already have and try to find a model to use, but most DJs usually only choose a few discs to scrub when practicing and competing. fight.
Art Cultivation
- Listen to the discs carefully and stop when you hear a sound you want to use. Go back and find the exact moment that sound started.
- Some DJs don’t like sticking pieces of paper on top of a disc even though it’s a classic practice. You can also mark tracks in whatever way works best for you if you’re planning to re-record your accompaniments or remix them quickly. [1] X Research Source
- Start with a slower accompaniment and then continue to play faster throughout the song. Once you are able to play at high speed, try to diversify the rhythms by adding in the accompaniments that you have developed.
Rub the Plate Good
- RZA pioneered the use of lo-fi (a method of producing sound that contained technical flaws) with samples from classic soul songs and samurai films, incorporating some elements. The accompaniment element was used in the early Wu-Tang albums as well as the members’ individual projects. Check out Raekwon’s “Ice Cream,” which features just a quick-paced sample guitar that’s easy to listen to with accompaniment.
- Madlib’s use of jazz records and hit songs from the 80s has made him one of the most sought-after producers. He combines classic and modern in amazingly fresh styles. Listen to Madvillainy, his project with MF Doom and his recordings with Freddie Gibbs to learn more great examples of the technique of a turntable artist.
- Many DJs will manually mark the number of beats per minute on the record case. That will make it quick and easy for them to build accompaniments and songs as they work.
- Principles inferred from the experience of turntable artists: When combined with a piece of drums from the Meters group, almost all pieces of music will turn out great.
- Most hip-hop songs and dance music are 4/4 time. That means for each span tile, there are 4 spans in each span. Each beat can be broken down in certain ways. Count these beats out loud as you listen to music. Each span will have a position between [square brackets]:
- [1] [2] [3] [4]
- [1 and] [2 and] [3 and] [4 and]
- [1 e and a] [2 e and a] [3 e and a] [4 e and a]
- [1 triplet] [2 triplet] [3 triplet] [4 triplet] (Triple: group of three equal notes performed in the interval (usually) used to represent two notes of the same type).
- [1 triple and triple] [2 triple and triple] [3 triple and triple] [ 4 triple and triple]
- A great way to get used to the rhythm is to play the snare drum. You can visit the Vic Firth website recorded below to learn how rhythms are broken down, and how those sub-branches include rest sounds. [2] X Research Source Once you can sing these beats out loud, or at least some of them, you can begin to use them as the basis for the scrubs you’re developing.
Advice
- Rent or buy DJ 101 and DJ 102 by DJ Shortee
- Protect your ears so you don’t go deaf later.
- Rent or buy Do It Yourself Scratching by Qbert Volumes 1 and 2
- Visit the DMC website and see past winners of the annual best DJ search competitions
- Find DJ performances online
Warning
- Protect your ears! Wear headphones or earbuds if you need to play with loud sounds.
wikiHow is a “wiki” site, which means that many of the articles here are written by multiple authors. To create this article, 42 people, some of whom are anonymous, have edited and improved the article over time.
This article has been viewed 5,677 times.
Scratching is one of the ultimate “weapons” in the performing arts of sound using turntables, turntables, and turntablism. While DJs only know how to play music, turntable artists are the creators of art. Through learning how to find the necessary tools to create DJ music, you will have the opportunity to explore the vast world of rhythm creation. Learning the techniques and aesthetics of the genre will help you perform at your peak!
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